Prof. Biman B. Das

Prof. Biman B. Das Ever since my childhood I have experimented raw sensations and feelings. Progressing throughout I relieved them all, I wondered at my own deep sense of belonging to heritage of human culture. I always had been involved in media experimentation, and form evolution of sculpture. I love life live passionately. Throughout career i have been experimenting and analyzing the ancient Indian classical/folk sculptures and transformed them in to contemporary/modern aesthetic patterns. The subjects I chose from classical as well as contemporary forms like Mithuna, Devi {Mother Goddess} Nayak (Hero) Nayika (Heroine) Mother and child, Philosophy of Life, Krishna Cult, Lord Buddha, Ancient Glory, Gate, Pillar, Budding Joy, Invocation etc. The prime significance of my sculptures/paintings lies in the fact that there has been hardly any research probing in to question of the origin of contemporary Indian art. I have developed sculptures, which essentially centers on ?modernization? of classical Indian motifs. My experiments deliver into such style, in contemporary art and attempts to conceptualize in the wider scenario of contemporary of Indian art.Along with, I have tried to depict Universal emotional forms like Love, Joy, Peace, Philosophy of Life, Mother and Chills, Gate, Pillar etc. - through the experimentation that utilizes conventional forms on these themes. The ideas regarding art and aesthetics and Global culture are equally focused on my sculptures and paintings. My sculptures/paintings have essence of Indian culture but these won?t reflect any narrow prejudice, rather feelings, likings are extremely appreciated and collected by collectors, art lovers in India and also all over the world.. I look at my sculpture/paintings piece by piece. To me they are my personal contribution to the fulfillment of man in this unhappy planet of ours.